Plugging.
Beta SP T/C out to Sadie T/C in
DAT 1+2 (AES) to Sadie I/P 1+2
Sadie O/P 1+2 (AES) to Digibeta I/P 1+2 (AES)
Sadie O/P 5+6 (AES) to Digibeta I/P 3+4 (AES)
Sadie O/P 3+4 (Analogue) to Beta SP I/P 1+2
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Mixer Settings
DAT to Sadie in UNITY
O/P 1+2 set for correct level
O/P 3+4 set for correct level
O/P 5+6 leave in UNITY (ie Digibeta I/P 3+4)
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Digitising In
Open a new EDL (playlist) - give it a name of a reel (eg roll#103)
On channel 1+2 timeline click the little red "R" to enable recording
On channel 1+2 timeline click the little waveform to display waveform
Move on the timeline to approx T/C equal to Beta SP T/C (it's easier this way)
On transport control window click on REC, put DAT into play.
Right click on waveform to give this clip a name ("edit entry name")
eg 361/2 EB (shot 361 take 2 End Board) etc. Do this for each clip as per
shot sheet and/or audio idents.
At end of a take hit RAZOR key (PC keybd F5) and hit RAZOR again at start
of next take. Click on the unwanted material between these razor marks (waveform turns red) and hit DELETE key (NOT backspace delete!).
If you are not quick enough with the razor then can use F7 (scissors) and click on the waveform in correct place(s) and delete as above.
(remember EDIT, UNDO is available).
To expand/contract the waveform view can use-
F4 and F5 on Sadie keyboard or
Left and Right arrow keys on PC keyboard or
Click on magnifying glasses on window just beneath the waveform.
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Tips on naming the clips.
eg A&B cameras eg give it name 361/6 a+b (if 1 clap does for both cameras)
eg 361/6a,b (if each camera has it's own clap)
eg W/T 1 for wildtrack etc.
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Syncing UP
When all audie is in the Sadie,  COPY and PASTE A&B camera audio to end of timeline and CUT and PASTE all W/T to end of timeline. To do this drag mouse over clip(s) to highlight it, COPY the go to where want it, PASTE etc.
Now need to mark HOTSPOTS.
Highlight a clip (Kbd up arrow) to load clip into trim window.Use SPACEBAR to stop/play the clip and use Sadie Jog Wheel to put cursor on start of clap. Then PC Kbd F8 (Snap hotspot to current time).RETURN to close Trim Window.
If have accidently chopped off the start of the clap then load clip into Trim Window, then on Sadie keypad press IN, then EDIT/SELECT and scroll (jog wheel) back on the waveform to include the clap (waveform is green). Press EDIT/SELECT to come out and press IN button to turn it off.

Now to Sync up to vision on the beta SP
Put Sadie into Slave,Chase mode -ie press "Betacam BV" button on transport control window or press ONLINE button on Sadie Kbd. Now Sadie will chase the Betacam m/c. Sit on 1st frame of clap vision and on the Sadie right click on the relevent clip and select "snap entry hotspot to current time".Can now play this slate and hear the sound in sync. Repeat for each slate.
If have overlapping clip audio then just snip off the unwanted overlap waveform audio.
If you have a jump in t/c (eg a new film roll) highlight all the clips for this roll and drag them to approx the correct place on the timeline (or use cut/paste). then continue sycing the clips to the Beta SP vision.

Laying audio back to tape
Beta SP is the master ie port C on blue box flashes it's LED. Digibeta is a slave ie it's LED is lit but not flashing. On blue box, to make a port the master then hold down SHIFT and select it.
Select the channels you want to insert on the VT m/c's ie 1+2 on SP & 1+2+3+4 on Digibeta m/c. 
Mark an in and set an out on the blue box control then press AUTO on the  blue box. The machines will now preroll and insert edit with Sadie chasing.
When done you can assemble any wildtrack onto the ends of the rolls using a clock as a vision ident of the material.

To get T/C out of Sadie.
VIEW, SETUP, SYNC, then select MASTER MODE on bottom left.
On the transport controls you will see button to the left of the T/C display
change to "T/C gen off"
Click on this button to make it change to "T/C gen on". That's it !!!!
To put the Sadie back to chase mode  SETUP, SYNC, tick SLAVE in bootom left
hand.
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To slowdown a clip on Sadie
On the side of the mixer, click on "show process window" (above the windmill)
In the "rack" that is displayed, select "digital resampler" and drag this into the "rack"
Double click on "speed", eg 50 enter (ie 50 fps). Put in standard quality
Now bounce window (the Ball), give it a name eg "700 slow". Start. - this puts slomo
clips into the clipstore.
Drag from the clipstore onto the timeline.
Now need to go back into the process window and remove the effect from the "rack", otherwise
you can't play.
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DEVA disks with Sadie.
First set the four tracks on the timeline to mono. Right click in grey area beneath i/p 1&2 etc "ungroup streams"
do same for A3 and A4
Go to Disk Manager,Scan drives etc to mount DEVA. Open up DEVA disk and copy all files into a directory on a Sadie HDD
Double click on the clipstore icon. right click on grey space beneath "source tracks", click on "import source tracks"
go to directory where you copied the files and highlight them all and import. Now highligt them all in the clipstore
 right click and select "re create profile" - this generates a waveform view when they are on the timeline (better
 to do this after they are on the timeline as it can then be done as a background task)
Right click on "autoplace" at the bottom of screen and select "sync". drag all the clips from the clipstore onto
track 1 on timeline. - the clips should appear on the correct audio tracks. (you may have to select all the clips
that line up vertically and Group Clips ( highlight them all then CTRL G)
Right click on "Autoplace" and set to OFF.
then proceed to hotspot etc.